About the Creator…
ANNE MARIE CUMMINGS moved to Los Angeles only four years ago after spending 35 years in the theatre as a professional actress (working with Tony-award winning directors); playwright (Off and Off-Off-Broadway); and director and artistic director of her own theatre company in Upstate New York. In its final years, her theatre company moved from a black box theatre into a movie theatre where she began to film her plays and the plays of other playwrights. This was the beginning of her new direction launching her avant-garde theatre work off the stage directly onto the screen.
To help her reach her full potential as a writer, when Cummings arrived to L.A., she, for the first time in her life, formally studied writing with acclaimed television writer, Ron Osborn (“Moonlighting” TV series) and wrote her first feature, “Eat Bitter, Taste Sweet.” However, it was Ron’s hard-core teaching style that pushed Anne Marie to churn out her first one-take TV series – “Conversations in L.A.” – on her very own. With “Conversations in L.A.,” Cummings has intuitively brought together all of her vast experiences as an actress, writer, and director by organically merging her vision of “theatre onto film” with unique, single-camera episodes – all highly choreographed and all quite daring in their own right. No stranger to embracing an entrepreneurial spirit, she paid for this entire project by taking a huge financial leap of faith – – selling her home in Upstate New York.
Cummings began acting on stage at the age of six, and after performing in a dozen or more professional plays by the age of 16, she attended the highly acclaimed drama program at Carnegie Mellon University. During her summers at Carnegie, she continued to study theatre at Northwestern University and the British American Drama Academy in Oxford, England (BADA). At BADA she attended lectures with some of the greats such as Simon Callow, Jeremy Irons, the late Peggy Ashcroft, and the late Sir John Gielgud.
About the Story…
“Conversations in L.A.” is about Michelle Macabee, an unemployed, menopausal woman who goes through the rewards and difficulties of redefining herself at midlife. When she meets the sexy and much younger Hispanic – Gus Borrero – they have an unexpected connection they discover is worth fighting for, despite the challenges of their age difference, their pasts, and the strong opinions of friends, family, and everyone they have conversations with in the City of Angels.
~ Immediate Vision Productions
How the One-Shot Was Shot…
After Anne Marie mapped out the actor blocking, she, line-by-line, wrote out the camera blocking in the script, breaking up the episode into sections (or beats). Then she taught her camera blocking to the Director of Photography, beat-by-beat, until he had that memorized.
For Season Three, Anne Marie’s sole DP was Sebastian Heinrich (as seen in the photo). Once Sebastian learned Anne Marie’s detailed blocking for 20-to-30-minute episodes, then, while working with the actors (or sometimes stand-in’s) on location, they together created the angles, frame-by-frame. The next step in the process was to select the camera settings that would best suite the actor and camera blocking. During the final phase before filming, the finishing touches were to determine the pace and rhythm of camera moves alongside the actors.
This may sound straightforward and relatively easy, but make no mistake, plenty of trial and error was a necessity to finding “it”!
“We learn from failure, not from success!” ~ Bram Stoker
